1816 pattern half sov
25/06/26 09:13:22
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Benedetto Pistrucci’s pattern half-sovereign of 1816 is a remarkable example of post-Waterloo coinage innovation. Crafted with unusually high relief, it showcases Pistrucci’s skill in portraiture without compromising the reverse design, a rare feat given the coin’s standard thickness.
Unlike later coins, such as those of George V, which suffered from ghosting due to excessive relief, this piece maintains clarity on both sides. Likely hot-struck and possibly using a pre-formed blank, it gives a subtle illusion of depth and demonstrates the Royal Mint’s experimental approach to durability and design.
Benedetto Pistrucci’s pattern half-sovereign of 1816 is a remarkable example of post-Waterloo coinage innovation. Crafted with unusually high relief, it showcases Pistrucci’s skill in portraiture without compromising the reverse design, a rare feat given the coin’s standard thickness.
Unlike later coins, such as those of George V, which suffered from ghosting due to excessive relief, this piece maintains clarity on both sides. Likely hot-struck and possibly using a pre-formed blank, it gives a subtle illusion of depth and demonstrates the Royal Mint’s experimental approach to durability and design.
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1816 pattern half sov - από KOSTAS17 - 25/06/26 09:13:22
RE: 1816 pattern half sov - από KOSTAS17 - 25/06/26 09:30:25
RE: 1816 pattern half sov - από KOSTAS17 - 25/06/26 09:36:37
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